Off-ball screens
Screens for players without the ball, which is how shooters get open.
All families · 13 terms · 13 full, 0 partial, 0 short
Back screen
A screen set behind a defender, out of his view, so the cutter can go to the rim.
Why it is run. A defender watching the ball cannot see a screen set on his back, so the man he guards is at the rim before he can follow.
What beats it. Feeling the screen and going under it toward the rim early, conceding the pop, or switching every back screen.
Chin
A back screen set at the weak-side elbow for the slot player, who cuts to the rim. One glossary treats that screen as the whole action; another treats it as one part of a Princeton-family set with the post at the high post.
Why it is run. The weak-side slot defender is watching the ball with the elbow behind him, so a screen from behind lands on a defender who cannot see it, and the cut goes to the rim through space the ball side has already emptied.
What beats it. The screener’s defender calling the screen and stepping into the cutter’s path, or switching it; and the ball-side defenders refusing to be pulled away from the lane.
Cross screen
A screen set across the lane so a big can cut from one block to the other for a post catch.
Why it is run. A screen across the lane, block to block, gets a big a post catch with his defender sealed on his back, because the defender must choose between going over the screen and going under it into the passing lane.
What beats it. The defender going over the top to reach the block first and fronting the post, or a low man who bumps the cutter in the lane.
Double screen
Two screeners standing shoulder to shoulder in the cutter’s path, so his defender has to get around a wall twice as wide as one screen.
Why it is run. A defender can shade a single screen, cheating over the top or slipping under it; two bodies side by side leave no shade, and the defender who goes around the end arrives a step later than he would around one.
What beats it. Going under the pair and meeting the shooter at the catch, conceding the curl; or switching one of the screeners’ defenders onto the cutter.
Elevator screen
Also: elevator doors
A shooter runs between two screeners who then step together to close the gap on his defender.
Why it is run. Two screeners who close the gap the moment the shooter is through stop his defender dead with two bodies at once, and it is the one screen set after the cutter has passed.
What beats it. Going round the outside of one screener before the doors close, conceding a step on the catch, or switching one screener’s defender onto the shooter as he comes through.
Flare screen
A screen that lets a perimeter player fade away from the ball along the arc, punishing a defender who cheats toward the ball.
Why it is run. A defender who cheats toward the ball can be screened on the side facing away from it, so his man fades along the arc for a skip pass the defense was leaning away from.
What beats it. A defender who stays on the line between his man and the ball and never cheats, or a switch.
Floppy
A shooter under the rim chooses either side, one with a single screen and one with a stagger.
Why it is run. A shooter under the rim with a single screen one way and a stagger the other reads his defender’s first step and goes the other way; the defender cannot be right about both sides.
What beats it. Going under everything and meeting him at the wing, conceding the curl, or switching every screen so a fresh defender waits on either side.
Hammer
A baseline drive on one side with a back screen on the other, freeing a shooter into the weak-side corner for a drift pass.
Why it is run. The weak-side helper who sinks on a baseline drive is doing what he was taught, and the back screen punishes him for it; the shooter drifts to the corner and the pass comes along the baseline under the rim.
What beats it. Helping with the eyes and not the feet, so the shooter is never left, or the X-out rotation in which the big’s defender takes the corner and the wing defender takes the big.
Loop
A cutter running a triple stagger along the baseline from one wing to the other.
Why it is run. Three screens along a path the defender must run in full, with the catch waiting at the far wing.
What beats it. Cutting across the lane under the screens to meet the cutter at the far wing, conceding the curl on the first screen, or a switch at any of the three.
Pin-down
Also: down screen
A screen set facing the baseline so a player near the rim can cut up to the perimeter for a catch.
Why it is run. A screen facing the baseline lets a shooter who started near the rim arrive at the perimeter with his defender behind the screen, and gives him four reads off it (curl, fade, straight, back cut) that the defender’s choice decides.
What beats it. Top-locking the shooter so he cannot reach the screen, conceding the back cut to take away the shot, or switching the screen.
Rip screen
A back screen across the lane, usually for a player who has just set a screen himself.
Why it is run. A defender who has just helped on a screen is standing exactly where a back screen wants him, so the screener he left rips to the rim behind him.
What beats it. The screener’s defender never leaving him to help, or a switch.
Stagger
Also: staggered screens
Two off-ball screens in a row in the same direction for one cutter.
Why it is run. Two screens in the same direction make the defender right twice; the wrong side of the first is the wrong side of the second, and the second screener can slip if his own defender jumps out.
What beats it. Going under both screens and meeting the shooter at the catch, conceding the curl, or switching the second screen.
Wedge
A player receives an off-ball screen to the top and immediately turns to set a ball screen.
Why it is run. A side screen for the big before he screens the ball makes his defender late to the pick-and-roll, the same idea as the ram from a different direction.
What beats it. Switching the first screen so the nearest defender guards the ball screen, or the big’s defender going under the first screen and beating him to the top.